Enslaved – The Sleeping Gods [Review]

 

Enslaved is a metal band from Bergen, Norway. Their style has changed over the years. Originally being an old-school Black Metal/Viking metal act, they now perform a more experimental and progressive form of black metal. The name was inspired by an Immortal demo track, Enslaved in Rot.

Enslaved was formed in 1991, by Ivar Bjørnson and Grutle Kjellson. Joined by drummer Trym Torsson, they did their first demo in the summer of 1992.

Enslaved have released their 5 song EP titled “The Sleeping Gods” presented by Scion A/V in 2011 which is very melodious and the music has been beautifully made. Enslaved’s style of Black Metal is unique in itself that it uses a combination of growls and clean vocals accompanied by music that borrows both from Metal as well as Western Classical.

“Synthesis” is the longest song on the EP at 6 minutes and 19 seconds and is an instrumental song.

My picks from the EP are “Heimvegen”, “Synthesis”, “Nordlys” and “The Sleeping Gods”. A very wonderful and extremely enjoyable EP from the Norwegians at Enslaved!

The Right Hand Path’s Rating – 10/10

Gorgasm – Orgy Of Murder [Review]

Gorgasm is an American Brutal Death Metal band and they have released their full-length album “Orgy Of Murder” in 2011.

“Orgy Of Murder” opens with a fantastic song titled “Bloodlust”, relentless beating of the drums coupled with guttural vocals and harsh guitar riffs make “Bloodlust” enjoyable.

The second song “Dirty Cunt Beatdown” follows in the footsteps of “Bloodlust” with its detuned guitars and slow vocals.

Gorgasm’s music is fast, pounding and maniacal. At times the songs tend to have slow guitar riffs backed by heavy drumming which makes the song enjoyable along with the trademark Death Metal vocals. These traits are evident in songs like “Infection Induced Erection”, “Exhibit Of Repugnance” and “Cum Inside The Carcass”. “Third Degree Taste” is a maniacal song with its killer riffs, brutal drumming and screeching vocals.

“Orgy Of Murder” album cover art depicts a man fucking and strangulating a woman who in turn is stabbing him with a knife on his shoulder and in the background are corpses and plenty of blood.

My favourite songs from “Orgy Of Murder” are “Decapitation Sodomy”, “Bloodlust”, “Dirty Cunt Beatdown”, “Cum Inside The Carcass”, “Scourge Of The Christians” and “Silence Follows Dismemberment”.

The Right Hand Path’s Rating – 10/10

Peste Noire – L’Ordure A L’Etat Pur [Review]

Peste Noire is a French Black Metal band and they have released their new album “L’Ordure A L’Etat Pur” which has been sung entirely in French and is a very lengthy album. The lengthiest song on “L’Ordure A L’Etat Pur” is “J’avais rêvé du Nord” at 20 minutes and 25 seconds.

“Cochon Carotte et les sœurs Crotte” is a horrible song with awful vocals and music that sucks! “Sale Famine Von Valfoutre” is a beautiful song which is slow and melodious with a dangerous feel to it.

“L’Ordure A L’Etat Pur” is an average album and only worth one listen.

The Right Hand Path’s Rating – 5/10

Stench Of Decay – Visions Beyond Death [Review]

Another Death Metal band from Finland, like their compatriots “Krypts”, Stench Of Decay released their 2 song EP titled “Visions Beyond Death” in 2011. The title song “Visions Beyond Death” opens in a fantastic manner and the music is pounding and fast, accompanied by the vocalist’s growls is a pleasure to listen to. This is the kind of song which I would listen to again.

Next is “The Endless Void” which opens on a jarring note accompanied by a long drawl, the guitars and drums are ultra fast. The music is ominous and is like a pandemonic incantation.

Overall “Visions Beyond Death” is a great EP with a killer album cover art depicting two other worldly creatures coming out from mounds on the ground.

The Right Hand Path’s Rating – 10/10

Krypts – Krypts [Review]

Finnish Death Metal band Krypts have released their self-titled 2 song EP in 2011. The music in “Descending Of Tormenting Darkness” and “Purified Into Nothingness” is slow and haunting; the vocals are typical death metal growls. The guitar riffs and the maniacal drum beats only make the music quaint.

The album cover art consisting of horrified faces and skulls in an inverted “Y” shape is fantastic and the band’s logo is placed in the middle in typical Death Metal font style.

The Right Hand Path’s Rating – 10/10

The Right Talk: Exclusive Interview With Evan Busch, The Co-Founder Of Gay Christ Records

Welcome to “The Right Talk”, The Online Talk Show where The Right Hand Path speaks to Celebrities from the world of Metal music. Our Celebrity Guest today is Evan Busch, the Co-Founder of Gay Christ Records, the Niché Underground Metal Record Label based in the city of Minneapolis in the American state of Minnesota in this Exclusive Interview to an “Indian Metal Music Magazine’’.

The Right Hand Path: Metalik Heils From The Right Hand Path!!! How are things with you at the Gay Christ Records Headquarters?

Evan Busch: Greetings to The Right Hand Path (TRHP)! Things are great for us, just a busy day ending up here in Maryland USA where I work.

The Right Hand Path: Your record label has an interesting name “Gay Christ Records”. In my view, there are two ways of looking at it, first is “the word “Gay” is of Old English origin and means to be happy, merry and in a way not care much about, if you get what I’m saying + Christ = Happy Christ Records”. The second way of looking it is through astonishment in a modern 21st century sense. Homosexuality and Christ, an unimaginable thought to most people”. Am I right in looking at the label name through two different ways or is this a manifestation against “Judeo-Christian” society that I believe Hessian and mockHim Productions believe in?

Evan Busch: The name originally started with one of our founders, who has a penchant for blasphemy against the Judeo-Christian God and his secular construct, liberalism. He was looking through a list of names one day and saw someone named GAY CHRIST, which turns out to be a very nice lady who lives in Texas. However, the name made him laugh out loud because he imagined a HOMOSEXUAL JESUS CHRIST mincing around and having a gay old time, and knew that such an image would upset many believers, who are so tolerant and loving of their God’s creations that they don’t like the gay ones! I am a brave nihilist and I don’t care if people don’t like gays but it’s stupid to claim your God loves everyone and then say you don’t want gay people loved by your God. For that reason we play around a lot with the imagery of a gay Jesus.

The Right Hand Path: Could you be kind enough to tell the Readers of The Right Hand Path and people into Metal music as to how Gay Christ Records came into existence?

Evan Busch: I (Evan Busch), Vijay Prozak and two others founded a distro back in 2000 called EVIL MUSIC. As part of our business plan we decided we would give back to the community, not for profit, so we started GAY CHRIST records to archive classic metal recordings and make them available. Two years later, broadband exploded and people started swapping MP3s, which made much of what we do moot, but we’ve still been able to create an ORGANIZED storage of old metal recordings, which means they don’t get lost when 666hellhammer666 logs off of Limewire or DC++. We also support file sharing through the NEOCLASSICAL MUSIC HUB which is a DC++ hub that has about 300 visitors a day trading death metal, black metal, classical and other scary music.

The Right Hand Path: Allow me to quote the below-mentioned from Gay Christ Records website

Mission

“We seek to disseminate previously out-of-print or lost recordings of metal music for non-commercial, academic purposes.”

Who is/are the Prime Mover behind this Mission, are they still with Gay Christ Records? Is this Mission set to build some kind of Archive, like Nations have National Archives or to be an Encyclopaedic Repository? In addition, are you influenced by any Metal/Non-Metal record label in this venture?

Evan Busch: The Prime Mover was Vijay Prozak, then passed to Kontinual, now to me. The mission is to build an archive of music that has zero commercial value or is forgotten but is still relevant, so that future generations can find it. We would like to someday be a museum! We also work with our contact at the University of Texas library in archiving classic underground metal for academic study. We are influenced 100% by underground PUNK and METAL labels of the 1970s-1990s who had no intention of becoming commercial, only wanted to spread the music because they knew once something is for sale, it gets corrupted by the demands of its audience!

The Right Hand Path: Allow me to quote the below-mentioned from Gay Christ Records website

“People in America seem to have trouble with the concept that we do not sell anything. We trade exclusively with underground purists. No normals, mainstreamers, regular Joes, humanitarians, humanists, Christians, productive members of society or parental authority surrogates accepted or desired. You have the rest of society; go to your paradise, idiots”

Why the above-mentioned as a Note on your website? Like I asked earlier, does this stem from being against current “Judeo-Christian” society. Alternatively, is this to project and sustain an Élite and Purist image?

Evan Busch: The Judeo-Christian idea is that God loves the individual, and what the individual wants is important, and that taking care of other individuals is important. But that’s short-sighted. What’s important is the whole (community, ecosystem, tribe, data set) and what it has that is important, like culture including music! If we start thinking about individuals only, we can never act as a group to fix problems, and we have to tolerate everyone even if they are insane or stupid. That’s what makes empires fall! Screw that, let’s work for the idea that unites us and push aside the people who are broken! We are purists and elitists, but it’s not image. We are making a serious point. There are seven billion people on this planet and many of them are broken. What is important is not that someone is an individual, but what they contribute. By that I don’t mean going to a job, but helping out in the production of higher things, like culture including music. People think we’re crazy but death metal is important culture, it’s the only real commentary we have on society in the 1990s that isn’t paid-for swill like fast food or television!

Especially people outside the United States, this information is important, because they’re going to go through what USA did in the 1990s, but it’s going to be in the future… the US was ahead of everyone else thanks to WWII, which made it The superpower, and so now the rest of us are catching up!

The Right Hand Path: What kind of association/relation do you have with Hessian and mockHim Productions of the American Nihilist Underground Society?

Evan Busch: We share members and founders with mock Him/Dark Legions Archive, which started way back in the 1980s and got on the web in the early 1990s. Hessian.org shares those same members, and includes friends, as does DeathMetal.org, their newest project.

The Right Hand Path: Gay Christ Records also has a Staff that adds reviews to the record label’s website. Since you have already said “No” to Christians and America, your country of origin and residence is a Christian Nation and Multi-religion, Multi-cultural and Multi-racial and considered to the Land of Capitalism. Does this milieu affect and reflect in your Social, Political, Religious and Musical beliefs and in turn in the composition of your Staff?

Evan Busch: I’d like to say I’m totally hardcore but really, anyone who understands what we’re trying to do with metal is cool by me. I don’t have a problem with capitalism per se, but “too much love of money” is really the root of many evils. Most Christians are idiots but most people are idiots. I’m not cool with diversity as the idea of a society, but that has no bearing on whether I like someone as an individual. It’s just a stupid idea to try to shape a society out of artificial means, like “we believe in democracy” and “God bless the USA.” My people are worldwide.

The Right Hand Path: Allow me to quote the below-mentioned from Gay Christ Records website

 “We want demo tapes, rehearsal tracks, 7″ EP or obscure media recordings, live/bootleg recordings, and other media of the music of historically significant metal bands.”

Does the above-mentioned by the use of “obscure media recordings,… other media…” include Vinyl, VHS, DVD, Cassettes, Blu Ray [despite Gay Christ Records website header stating “GAY CHRIST RECORDS: Black and Death Metal CDR Traders/Non-Profit Label”]?

Evan Busch: Yes, totally! I’ve got a Pro-Ject Debut III USB turntable for vinyl, and I have an old VCR hooked up to my stereo and I ran a line out to my soundcard. Cassettes are no problem, I’ve got a NAD stereo tape deck for regular cassettes and I have a recorder for microcassettes with a line out to the stereo too. Blu Ray? Is that like a DVD standard? Sounds like it was before my time… or after it.

The Right Hand Path: Which Metal bands in your opinion are “historically significant” for Gay Christ Records apart from the ones already in your collection?

Evan Busch: There really are too many to list, so I’ll use some examples. First, we all know the canon. You know, like the Morbid Angel, Deicide, Incantation, Suffocation, Obituary, Asphyx, Pestilence, Carnage and Nihilist type bands. There are almost infinite recordings of such bands floating around. Your stoner Uncle Bill may have once been to a backyard party, and has an old videotape of Cryptic Slaughter live or whatever. We want it. We want to take it, make a recording of it that’s pure digital, clean it up as best we can and get it out to the world. Yeah, maybe only 503 people worldwide care. So what? Then there’s also the second and third tier bands that were good but never made it to the big time. Accidental Suicide, Sorcier des Glaces, Belial and Infester are part of that group. They are part of our history. They are part of our culture, which isn’t just metal but that which encloses it, which is the history of humanity striving to get its shit together and transcend its ludicrous limitations. The universe is infinite… so the mind should be too.

The Right Hand Path: You might have your international contacts and correspondences; do you plan to register your Gay Christ Records with the Government so that you don’t face any business/company, tax and other hassles?

Evan Busch: Probably not. We take in no money, pay no salaries, and although we could get rid of sales taxes, our biggest expenses are postal and that wouldn’t change, so there’s no real point. If we ever get to the point of buying over a thousand dollars of shipping materials, CD-Rs and stickers in a year, then I’ll consider it.

The Right Hand Path:  It has been great interacting with you. You are the third Entity from the American Nihilist Underground Society network after Vijay Prozak and National Day Of Slayer to be on The Right Hand Path. How does it feel & is there anything that you would like to tell the Readers of The Right Hand Path and people in general?

Evan Busch: I really enjoy what The Right Hand Path is doing. It’s in a similar spirit to the Dark Legions Archive (the metal portion of the American Nihilist Underground Society and the writings of Vijay Prozak), the International Day of Slayer, DeathMetal.org, all old zines, all old labels, and all true underground spirits are doing! We want more out of life than money and television, so we make it! We all work together to have a real underground and to let the vapid people pass on us by. Thank you for the interview, hailz and abort gay Baby Jesus!!!

1349 – Demonoir [Review]


Demonoir is largely an instrumental album because from the opening track “Atomic Chapel” which isn’t an instrumental and is mind blowing especially the middle section. From the second song “Tunnel Of Set XI” to the eight song “Tunnel Of Set XVII” all the songs are of less than a minute and with bare bones instrumental music.

The fun starts from the ninth song “When I Was Flesh” which is a musical blitzkrieg with Frost’s rapid drumming and ultra fast guitar riffs in which I’m sure the Archaon and Seidemann, the guitarist and bassist’s fingers would have been barely visible, to Ravn’s great vocals and accompanying electronic songs and voice over in the background, “When I Was Flesh” is a pleasure to listen.

Ravn does a great job as vocalist, his voice has a diverse range and a good throw which is needed in a genre like Metal and especially Black Metal which is full of rapidly sung vocals accompanied with growls. In his methods of madness Ravn is accompanied by Archaon on Guitars and Seidemann on Bass who support him well through songs like “Psalm 7:77” where the guitar works is mind blowing.

The title song “Demonoir” is a little bit dull, but what made it interesting was that my music player classified this song as “Blues”, a Black Metal song as “Blues”, that’s an unforgivable blasphemy, hahaha! Ravn’s voice on “Demonoir” is slow and haunting and the music sets the tone for something ominous especially Frost’s slow but powerful drumming. The rest of “Demonoir” is your usual Black Metal stuff that 1349 deliver like on a front line assembly in a factory.

My picks from “Demonoir” are “Atomic Chapel”, “When I Was Flesh”, “Psalm 7:77” and “The Devil Of The Desert”.

Line-Up:

Archaon – Guitars

Frost – Drums

Ravn– Vocals

Seidemann – Bass

1349’s Website http://www.legion1349.com

Indie Recordings Website http://www.myspace.com/indierecordings

The Right Hand Path’s Rating – 10/10

Panzerchrist – Regiment Ragnarok [Review]

Rarely have I come across a majestic Death Metal album like “Regiment Ragnarok”. Hats off to Panzerchrist for making such music!

Right from the first song “Prevail” to the second song “Panzer Regiment Jylland” to the third song “Metal Tribes”, its pure ecstasy and Panzerchrist unleash hell and batter your ear drums with brutal Death Metal. Man, the guitar riffs, the solos, the blast beats and the growls, the make Regiment Ragnarok truly enjoyable.

“Regiment Ragnarok” is a lengthy album at 12 songs and this is where the problem starts. When listening to such a time consuming and long album, inevitably there will be songs like “Impact”, “We March As One” and “For The Iron Cross” where all efforts put in by the guys at Panzerchrist comes to a naught. The music becomes dronish and repetitive and there is hardly anything new in the songs that I’m talking about here.

As “Regiment Ragnarok” proceeds the album is good, it’s only in the middle a case of soured grapes. Songs like “The Armour Of Armageddon”, “Ode To A Cluster Bomb” and “Feursturm”, “Time For The Elite” and the last and twelfth song on “Regiment Ragnarok” i.e. “Trenches” are beautiful. Perfect drumming, bass work is good, there is perfect co-ordination between the members of Panzerchrist, and not a note seems to be out of place.

In the end, “Regiment Ragnarok” is an enjoyable album and one which I will listen to again for quite some time.

Panzerchrist’s Website http://www.myspace.com/panzerchristofficial

Listenable Records Website http://www.listenable.net

The Right Hand Path’s Rating – 8/10

Pestilence – Doctrine [Review]

 Pestilence n. a deadly epidemic disease. Doctrine n. a principle or the beliefs of a religious, political, or other group.

Death n. the process of dying; the state of being dead; an end; ruin. Metal n. 1 any class of mineral substances such as gold, silver, iron, etc., or an alloy these. 2 road metal. * v. (metalled, metalling; Amer. Metaled) make or mend (a road) with road metal.

The above-mentioned are the ways the words “Pestilence”, “Doctrine”, “Death” and “Metal” are defined in The Oxford English Minidictionary, Fifth Edition, Edited by Lucinda Coventry with Martin Nixon.

Pestilence being a Death Metal job do a great deal of service to their chosen music genre in “Doctrine”. Consisting of 11 songs, “Doctrine”, opens with a long instrumental “The Predication”, which is barely coherent and required me to increase the volume to actually hear the music. Not a really good way to start listening to a Death Metal album when you expect heavy, crunchy guitar riffs, crushing drums and growling cookie monster vocals trying to scare the daylights out of anyone and everyone who cares to listen it.

Now that you feel that “Doctrine” has begun on a sad note, you’re disappointed because up next is the uber cool track “Amgod” which is heavy and raw and Pestilence blow the hell out of your mind. The vocals are perfect, the riffs are there and the drumming in bone crushing, enough to numb your skull.

As one continues listening to one song after the other, one might be tempted to feel that at 11 songs “Doctrine” might be a tedious album and would take a toll on your senses. But that’s not what happens, the title song “Doctrine” is there to entertain with its sheer Death Metal genius at display, exactly the way Death Metal should be, setting a standard for other bands to follow.

Songs like “Dissolve” and “Absolution” are full of raw power and bursting at the seams, the vocalist seems to be shrieking and out there to grab you by your collar and his fellow musicians add to the pandemonium with their awesome Death Metal music in the background. “Sinister” and “Divinity” are songs which stand out on the album for the way the make the listener feel, which can only be understood by listening to them.

My picks from “Doctrine” are “Amgod”, “Dissolve”, “Absolution”, “Sinister”, “Divinity” and “Confusion”.

Line-Up:

Jeroen Paul Thesseling – Bass

Yuma Van Eekelen – Drums

Patrick Uterwijk – Guitars

Patrick Mameli – Vocals, Guitars

Pestilence’s Website http://www.pestilence.nl

Mascot Records Website http://www.mascotrecords.com

The Right Hand Path’s Rating – 10/10

Negură Bunget – Poartã De Dincolo [Review]

“Poartã De Dincolo” is a 4 song EP and its beautiful right from the opening song “Hotar” which is long and full of vigour and the vocals are like an exhortation.

The second song “La Marginea Lumii” opens with a soft instrumental with flute playing the background and drums being played lightly, it’s like a long whistle. Then come the growling vocals with a heavy instrumental playing in the background, accompanied by guitar riffs and chants, “La Marginea Lumii” has an epic feel to it.

Up next is “Frig în Oase” which is an instrumental and sounds like a requiem, but is captivating. The last and final song, i.e. the title song “Poartã De Dincolo” is an energetic song, opens with great drumming and hard rock guitar riffs and has chants plus growls, accompanied by flute, it’s melodious.

All in all, “Poartã De Dincolo” is a wonderful album and a pleasure to listen to.

Line-Up:

Gădineț – Bass, Pan Flute

Negru – Drums/Percussion

Urzit – Guitars

Fulmineos – Guitars

Inia Dinia – Keyboards

Ageru Pământului – Vocals/Xylophone/Tulnic/Percussion

Negura Bunget’s Website http://www.negurabunget.com

Code 666 Records Website http://www.code666.net

The Right Hand Path’s Rating – 10/10